Lianne La Havas’s English grandparents raised her right. She is an independent young woman of the world, mindful of her Greek-Jamaican bloodlines (hence Blood) and determined to deflect any hijacking of her sweet, neo soul voice for profit.
A lot of big names can be bandied about in describing Blood: Beyonce, Sade, Lauren Hill, Florence Welch, Adele, the lesser known Diane Birch. That’s not wrong, but what separates her is a Hepburn-like grace audible in the quiet spaces, like a more assertive version of countrywoman Corinne Bailey Rae.
La Havas sought an allspice of collaborators to flavour (doo wop, funk, gospel, rock) the follow up to her triumphant 2012 acoustic jazz/folk debut, Is Your Love Big Enough? Her new collaborators range from pop hitmaker Paul Epworth (Adele, Florence), who co-wrote the single, Unstoppable, to Jamaican reggae legend Freddie McGregor’s son Stephen to the underappreciated Jamie Lidell’s experimental urban sounds of London and Nashville.
The result is breathtaking; sensual, aching but hopeful. The folks will be proud.